Category: News

Management 360 Teams TV Division With MRC, Sets Margot Robbie Amazon Drama (Exclusive)

The talent firm’s production company behind ‘Game of Thrones’ and the producer of ‘Ozark’ together will forge a studio to create, acquire, package, sell, produce and finance content.

Game of Thrones, say hello to Ozark.

Management 360’s television production arm is teaming with Media Rights Capital to form an independently staffed studio with the goal of creating and distributing content for the talent management firm.

The partnership will originate, acquire, package, sell, produce and finance original content for distribution on all platforms. The studio will combine the talent roster, IP origination and packaging skills of Management 360’s Entertainment 360 division with MRC’s production, distribution and marketing expertise. Together, the companies will produce and finance scripted and unscripted offerings and create new opportunities for 360’s roster of clients.

The first project under the new Entertainment 360 studio will be an Amazon take on Amy Reed’s YA novel Nowhere Girls, which Management 360 clients Kieran and Michele Mulroney will exec produce alongside Margot Robbie, Brett Hedblom, Josey McNamara, Tom Ackerley and the actress’ LuckyChap (I, Tonya) banner. Catherine Hardwicke (Twilight) will direct the drama.

“Joining forces with MRC on Entertainment 360 is the next evolution of our mission to create extraordinary opportunities for artists,” the Management 360 partners said in a joint statement. “MRC’s impeccable taste, depth of infrastructure and resources to expand our production capabilities make them the ideal partner for a new evolution of a studio purpose-built for the current media landscape.

Entertainment 360 has produced series including HBO’s Game of Thrones, AMC’s The Terror, ABC’s Designated Survivor, Facebook’s Queen America and the features Lady Bird and Steve Jobs.

MRC, meanwhile, is the independent studio behind Netflix’s Ozark and House of Cards, Starz’s Counterpart and such features as Ted and Baby Driver. The company, part of Valence Media, which also owns The Hollywood Reporter, develops, produces and finances film and TV for distributors including Sony, Warner Bros., Universal, Paramount and Fox as well as HBO, ABC, Netflix, Apple and Amazon, among others. MRC was founded by Asif Satchu and Modi Wiczyk, who are now co-CEOs of Valence Media.

360’s track record speaks for itself, having expertly guided the careers of writers, directors, producers and actors for 15-plus years, and packaging and producing award-winning and commercially successful film and television projects under the Entertainment 360 label,” MRC said in a statement. “We are thrilled to partner in this new collaboration.

The deal arrives as agencies and management companies have increased their push into content creation as they look to create new opportunities for clients and share in the financial success of projects beyond their traditional 10 percent commissions.

Source: hollywoodreporter.com

Margot Robbie’s LuckyChap & Automatik To Produce True Tale ‘Firefighters’; ‘Westworld’s Carly Wray To Script

EXCLUSIVE: LuckyChap Entertainment and Automatik have teamed with Good Films to option Firefighters, based on Jaime Lowe’s New York Times Magazine article The Incarcerated Women Who Fight California’s Wildfires. Script will be written by Carly Wray, the Westworld and Mad Men writer/producer who recently was tapped to write one of HBO’s Game of Thrones spinoffs. Good Films will finance. The parties took the article off the table in competitive bidding.

Sexual Politics In ‘Mary, Queen Of Scots’
Brian Kavanaugh-Jones, Fred Berger and Rian Cahill will produce for Automatik, and Margot Robbie, Josey McNamara and Tom Ackerley will produce for LuckyChap Entertainment, with Scott Budnick producing through Good Films. Lowe will serve as executive producer.

Film is based on the true story of a dozen female prisoners as they move from county jail to life in a Malibu fire camp. With only three weeks of training, the diverse crew must bind together not only to fight devastating blazes, but also their own personal demons and a system that seeks to keep them invisible. It is a task they signed up for, and get paid $2 an hour to risk their lives.

LuckyChap Entertainment, which produced I, Tonya and recently wrapped (with Automatik) the Robbie-starrer Dreamland, is repped by Management 360, CAA, and attorney Jeff Bernstein. Wray is repped by WME and Grandview and Lowe by UTA and The Jud Laghi Agency. Automatik is in post on the Karyn Kusama-directed Destroyer with Nicole Kidman, the Chris Weitz-directed Operation Finale with Oscar Isaac and Ben Kingsley, and Dreamland.

Good Films was launched by Budnick to fund films that will engender social change. He recently lobbied for the state of California to hire formerly incarcerated men and women into firefighting careers, and in January, Governor Brown included this program in the state budget, the first program created in California’s history to intentionally train and place released men and woman into careers where they will be fighting wild-land fires and saving communities. Endeavor Content is a lead investor in Good Films.

Source: deadline.com

Margot Robbie confirms she will play Sharon Tate in Quentin Tarantino movie

I, Tonya star Margot Robbie has confirmed she will play late actor Sharon Tate in the upcoming film by Quentin Tarantino.

Speaking to Stuff in Sydney ahead of the Peter Rabbit premiere on Saturday, Robbie confirmed she would play the actress who was brutally killed by Charles Manson’s associates on August 9, 1969.

Robbie said she was very excited to star in Tarantino’s ninth film, Once Upon A Time In Hollywood.

“So yes, I will need to start researching,” she said.

Tarantino’s film has so far been shrouded in secrecy but Variety has confirmed that Leonardo DiCaprio will also star in the film.

Tate and four friends were found dead August 9, 1969. Manson ordered his followers to visit the house where the pregnant Tate was staying in Benedict Canyon area of Los Angeles with Steve Parent, Jay Sebring, Wojciech Frykowski, and Abigail Folger.

Tate was eight and a half months pregnant with director Roman Polanski’s baby.

Stuff

Margot Robbie’s ‘Dangerous Odds’ Movie Gets Backing From Bold Films

Oscar nominee Margot Robbie’s gambling project “Dangerous Odds” is getting financed by Bold Films after it was picked up in turnaround from Warner Bros.

Robbie, who’s nominated in the best actress category for “I, Tonya” at this year’s Oscars, is producing through her LuckyChap Entertainment company and starring in the project, which centers on sports betting boss Marisa Lankester. CAA arranged the financing for the film and will represent domestic distribution rights.

Warner Bros. picked up the movie rights in 2015 to Lankester’s memoir “Dangerous Odds: My Secret Life Inside an Illegal Billion-Dollar Sports Betting Operation.”

Production companies are Bold Films, LuckyChap, and Entertainment 360. LuckyChap’s Tom Ackerley and Josey McNamara will produce alongside Bold Films’ Michel Litvak and Jon Oakes and Management 360’s Ben Forkner. Executive producers are Bold Films’ CEO Gary Michael Walters and Svetlana Metkina and Management 360’s Gabe Cohen, Chris Huvane, and Jill McElroy. “Straight Outta Compton” scribe Andrea Berloff is the screenwriter and will also executive produce.

Lankester grew up in the upscale suburbs of New York City and worked in the heart of the largest illegal sports betting operation in U.S. history. She was arrested in 1987 on charges of bookmaking, along with six other employees, after Los Angeles law enforcement officials raided the office where she worked as a clerk for Ron (the Cigar) Sacco, operator of a horse-racing and sports-betting operation.

Ackerly and Robbie were producers on “I, Tonya,” along with screenwriter Steven Rogers and Bryan Unkeless. Bold Films produced “Whiplash,” “Drive,” “Shot Caller,” and “Nightcrawler.”

Robbie will be seen next in “Mary, Queen of Scots” opposite Saoirse Ronan. She is repped by CAA and Management 360. The news was first reported by Deadline.

Source: variety.com

Margot Robbie Reacts to Her First Oscar Nomination for I, Tonya

While most of the Oscar nominees took in this morning’s announcement over a cup of coffee, Margot Robbie was celebrating with champagne thanks to the time difference in her home country, Australia. The I, Tonya star was naturally ecstatic, as you can see in a video captured by her brother Cameron Robbie. Robbie was all smiles as she toasted with a few friends on the dance floor, following the Australian premiere of the film which traces the rise and fall of real-life figure skater Tonya Harding.

There’s nothing I could say that articulates how proud I am of this one #whatamoment #academyawardnomaninee!,” the actress’ brother wrote in a caption of an Instagram photo of the pair hugging. Earlier in the evening, while taking the red carpet to promote I, Tonya, Robbie revealed that she wasn’t stressing over the Academy Awards’ nominations. “I’m pretty jetlagged, I don’t think I’ll be losing sleep,” she told 9 News in reference to them. “I definitely need a good night’s sleep… Everything is already too good to be true and I don’t want to count on anything like that happening… It’s pretty nuts. Each year I’m like ‘wow, next year couldn’t be crazier than this year’ and then it gets crazier.

No doubt, things are only going to get crazier for Robbie in the wake of her first Oscar nomination — but they’ll be a different change of pace considering how hard Robbie worked to transform into Harding. “I did four months of training, five days a week, four hours a day,” she told W last fall. “On Christmas Eve, I was at the rink. And now I actually really miss it. I kept my ice skates—but I said goodbye to a whole world of pain that I didn’t realize came along with figure skating.

That was nothing though, apparently, compared to Robbie’s work towards adopting Harding’s voice. “Once I put on the wig, which altered my hairline, and bleached my eyebrows, I started to see Tonya,” she said. “The hardest part was losing my natural laugh. It needed to be Tonya’s laugh. I couldn’t do a triple axel like Tonya, but I was able to master her laugh.

Source: wmagazine.com

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