Hello. I added to the gallery screen captures from the movie ‘Once Upon a Time in Hollywood‘ (2019). Enjoy!
Films > Once Upon a Time in Hollywood (2019) > Screen Captures
Margot Robbie took to Twitter to prepare for her role as a conservative news producer and aspiring broadcast journalist for Fox News in “Bombshell.”
“Understanding her upbringing and her point of view on politics in the world, that really took me a minute,” Robbie says on today’s episode of “The Big Ticket,” Variety and iHeart’s movie podcast.
She added, “Twitter was extremely helpful. I would follow these young, conservative girls who are very vocal with their beliefs and their political points of view. And that was fascinating because they’re my age. In some ways, we’d have a lot in common. And then, in other ways I was like, ‘We are living on totally different planets.’”
While Charlize Theron stars in the Jay Roach-directed movie as Megyn Kelly and Nicole Kidman portrays Gretchen Carlson, Robbie plays Kayla, a composite character who represents all the women who were victims of sexual harassment and misconduct by late Fox News boss Roger Ailes. Robbie’s work could land her a second Oscar nomination after garnering her first nom for last year’s “I, Tonya.”
“I was pretty rattled by the time I got to the end of [Charles Randolph’s] script, to be honest,” Robbie says. “And I knew long before I finished the script that I wanted to do it and be a part of it, just because I thought it was important to tell, and be a part of, and support in any way that I can. I hadn’t, for once, thought of the character first. I thought of the content and the messaging before kind of aligning myself with the character. That came next, was starting to understand Kayla.”
And then there’s Theron’s “insane” physical and vocal transformation to become Kelly. “The voice changed everything. It’s like she almost sat lower in her body with that voice. It altered everything and…you just lose her,” Robbie says, adding, “I really saw her disappear and she did … And she was producing at the same time. It’s not like she didn’t have one sole focus. She was being pulled in a million different directions and just handled it like a boss. She’s so impressive.”
Robbie is currently shooting writer-director James Gunn’s “Suicide Squad” sequel in Atlanta, reprising her role as Harley Quinn. When I mention that her “Suicide Squad” co-star Joel Kinnaman raved about how funny he thinks the movie is going to be when he was a guest on “The Big Ticket” last month, Robbie says, “He’s right… You’re going to be laughing a lot. It’s going to be good is all I can say for now. It’s going to be very, very good.”
But the next time fans will see Robbie as Harley is in her standalone movie “Birds of Prey.”
“The story in ‘Birds of Prey’ is told from her point of view, so you have an insight into Harley’s world in a way that you didn’t in the first ‘Suicide Squad’ film, nor that you’ll have in the next ‘Suicide Squad’ film,” Robbie says. “It’s a little bonkers. It reflects her personality. It’s heightened. It’s poppy, it’s fun, it’s violent, it’s crazy. It’s absurd. It’s kooky. It’s hilarious. It’s a little heartbreaking.”
Margot Robbie and Birds of Prey writer Christina Hodson have joined forces to launch a female-driven screenwriting program with a specific focus on action films, called the Lucky Exports Pitch Program. The program, already underway, will be run jointly by Robbie, Josey McNamara, and Tom Ackerley of LuckyChap Entertainment and Hodson and Morgan Howell of Hodson Exports.
The program has selected six writers to participate in a four week program designed to carry the participants through every stage of developing a studio-ready pitch. That includes breaking stories and drafting outlines for original action features in a collaborative environment. The participants will also participate in Q&As and workshops with a dozen industry guest speakers including writers, actors, producers and directors. It’s essentially a writer’s retreat, with the stated goal of gaining its participants “the exposure and experience they need in order to become go-to names for studio/franchise jobs.” LuckyChap and Hodson Exports will be attached to produce each project developed during the program.
“It is no secret that there are more men than women getting hired to write big-budget studio movies, and yet there are a huge number of talented female voices looking to break into this space,” said Hodson in a statement. “I wanted to create a program that was as much about peer to peer collaboration and community as it is about changing the statistics. Margot and I share a passion for championing female voices and feel that one way to do that is to connect these writers with a wide-array of experts in big-budget filmmaking – men and women alike.”
Robbie’s LuckyChap echoed Hodson’s enthusiasm in a statement, saying, “We feel it is both a responsibility and a great honor to help create opportunities for the voices in our industry who are not yet being heard in the big budget action space. We couldn’t be more excited to join these six incredible writers on this journey!”
The Lucky Exports Pitch Program is an undeniably cool idea, and it’ll be exciting to see what films are developed as a result of it. The program began earlier this week and runs until December 6.
Appearances > 2019 > November 02 – ‘Once Upon a Time in Hollywood’ special film screening